When a book becomes a movie or a TV show, you can expect some changes. These might be minor, like the exclusion of Ioreth or Glorfindel from Peter Jackson’s Lord of the Rings movies, or huge sweeping changes involving new characters and the introduction of old ones in places they weren’t supposed to be. For the most part, I take these changes in stride. I understand the appeal of inserting Legolas into the Hobbit movies, for instance, because he forms a very obvious connection for fans of the previous trilogy, and even the Dwarf-Elf love story didn’t bother me very much.
For the same reason, changes the show runners have made in A Game of Thrones, based on the Song of Ice and Fire books, have not annoyed me. Until now.
Please note, there are massive spoilers both for the books and the TV show, going ahead.
That last episode has been the focus of a LOT of discussion. Sansa Stark is married off to Ramsay Bolton, easily the most vile and disgusting character in the Seven Kingdoms, and is raped on her wedding night while Theon is forced to watch. To their credit, the show runners shot the scene with Theon as the focus, instead of exploiting Sansa’s pain any further by zooming in on what was happening to her. But in some ways, this just served to make the emotional nadir point even more obvious. Theon, a character who has been through more torture than any other on the show, breaks down watching what’s happening before him.
What bothered me about it
Aside from the obvious fact that this storyline—Sansa getting married to Ramsay—is a HUGE change from what’s going down in the books, aside from the fact that it seems needless to include yet another rape scene in a show that seems to harbour more than a few of them (one is too many by this point), aside from the fact that watching it or listening to it made me feel sick and disgusted and terrified, there are very reader-specific reasons why this scene annoyed me.
First off—I love Theon and Sansa both. They are and always have been among my
favourite characters (numbering favourites one and two, if you want to be specific) and I supported them long before and in spite of derision and shock from friends and fellow readers/viewers. I found both to have been drawn with incredible realism, being perhaps the most relateable characters in the books. These are the people who many of us, I think, would be in Westeros, characters who make mistakes and learn hard lessons. They are not heroes from the start, but they do grow to be.
In the books Theon is where he’s at in the show, serving Ramsay and playing terrorised/reluctant rescuer to Jeyne Pool, the girl who is masqueraded as Arya Stark and married to the Bastard of Bolton. Theon spends most of A Dance with Dragons coming to terms with his identity as Theon Greyjoy and all that he has done; he seeks to redeem himself, slightly, by rescuing the girl, a fellow sufferer. The point of the whole spiel is that Theon does this simply because he feels for the girl and desires to find some goodness in himself. Rescuing Jeyne wins him no favours from other houses, she does not have powerful allies they can run to—in fact, throwing his lot in with hers is pretty much the most suicidal thing Theon can do, and yet he does it.
Rescuing Sansa Stark, on the other hand, could be seen as a much more loaded act. She has powerful allies out there, and she is the Stark girl at the end of the day. No one who associates with her can forget this, not even a woebegone, maimed and castrated one-time foster brother. The selflessness and danger of Theon’s rescue mission becomes a lot more muddled when the girl he rescues is the heir to the North, as far as most people know.
But the real reason I’m pissed is not so much for Theon’s sake as Sansa’s. I wrote a post a while ago, trying to show the haters why I love this character so much, why she appeals to me and why I do not, repeat, DO NOT find her stupid. What I love about Sansa is the way she manages to cling to some form of idealism in a world that steadily seeks to strip her of all of it. Sansa is learning the ropes of manipulation and deceit from Littlefinger in the Eyrie—where she still is in the books—but you never get the sense that she’s become cynical because of what she’s seen. She is merely picking up the tools she needs to survive, but that glimmer of hope for a better world and the life she dreamt of is still there.
Sansa is something of an icon for me in that gritty world of Westeros. she is not perfect, like the mythical Lyanna Stark. She is not super powered, like Dany or Melisandre, and nor is she as embittered and hate-filled as her sister and Cersei. I find it amazing how time and again she is faced with utter humiliation and yet emerges from it. And now, instead of constantly being rescued by men (or, let’s be honest, only by Petyr Baelish) I hope that in the books she takes the lessons he gives her and then uses them to move on peacefully with her life, not be stuck at the mercy of those around her.
But the show, after giving her an empowering half season, where she is rapidly learning under Baelish’s tutelage and handling herself with elan in a dangerous court, throws her back down, literally, and has her delusions of control ripped away from her. And the worst part—she’s probably going to have to rely on a man (Theon or Baelish) or another protector (Brienne) to get her out of there.
I see how its tempting to shove Sansa back into the role of the captive princess, something she’s been forced into time and again. But now, when it finally looked like she was getting out of it, it just seems needless and downright cruel to make her suffer through it again. If viewers really are expected to take her seriously, as something more than a deluded little girl, why force her through the same hells again and again and have her rescued by other agents? This, this is what I do not like.
I’m holding out hope still that Sansa will reclaim her power. I have no doubts that she will. But I still don’t see why it need have been ripped away from her in the first place.